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“I kept on writing and writing and writing, because I had to get it out.I didn’t know what it was going to be, but it feels like a rebirth with a lot of excitement about playing and singing, because the whole thing really softened me.Three decades into her career, the woman regarded as an “artist’s artist” realized things needed to change. I love the smaller rooms, the smaller towns, because the audiences are so different than the cities.

“Coins” is one of two tracks featuring Griffin’s ex-beau Robert Plant, whose harmonies are endearingly subtle and supportive, with his contribution to “What Now” — a yearningly-sketched song of uncertainty with droning tones and Griffin’s mandolin-like guitar and riveting vocals — especially translucent.She has also won Gospel Grammys, been named the Americana Music Association’s Artist of the Year, and more than held down her portion of the Band of Joy alongside rock legend Robert Plant.But as radiant and steely as her voice can be, it’s her writing that truly lifts up her audience.Always an athletic singer who doesn’t go for vocal javelin throwing, she grappled with how to perform songs while feeling diminished by the aggressive treatment.A performance at San Francisco’s Hardly Strictly Bluegrass, a massive free roots music festival in Golden Gate Park, startled her.

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